![]() |
||
|
these images
are © and may not be reproduced without the express permission of Pamela
A Cross and Vera Tobing |
click on main photo enlargement to go to Vera Tobing collection photogallery - click on any thumbnails to go to further photo enlargements |
This very fine ulos is a ragi hotang (or huting) namarsimata was woven by Ernestina br.Hutagalung at the end of the first decade of the twentieth century before her marriage when she was living in the Silindung valley in the village of Huta Harean, one of the villages of the marga (clan) Hutagalung near Tarutung, North Tapanuli, North Sumatra. She would have been around 14-18 years of age in a period of her life before marriage known by the Batak as namarbaju. The ulos measures 232 x 76 cm, including fringes. (I am grateful to Sandra Niessen for the identification of this ulos as a ragi hotang or huting (huting after the stippled ikat which might be thought to mimic the coat of a cat and was a popular name for this form of ikat in the 1920s and 1930s) namarsimata - the latter word referring to the very fine beadwork throughout and referred to below.)
It has fine warp ikat flashes which were carefully balanced when the textile was warped up. Beading of fine glass beads - probably bought from Indian traders and originally possibly from Venice - is incorporated into a supplementary weft to form strong designs at both ends of the ulos - see detail below - and also as fine added decoration on either side of the three supplementary weft bands dividing the length of the ulos. There is thick beading (5 rows at one end and 6 at the other) at the start of the very fine twining at the very ends of the ulos. It is possible that all the threads have been dyed with natural dyes including the soft yellow and red narrow warp stipes in the central field. The central panel of deep blue and the side borders of deep red are very probably dyed with natural dyes - indigo and morinda citrofolia respectively.
This is a very fine ulos. Today it is rather fragile with a strong tendency to shed beads when the textile is moved. It can be seen in 1972 at the funeral of Ernestina's husband, Theodorik L Tobing being worn by their youngest child, Helena.
ulos in the Vera Tobing collection
photographed by Mari Pro Foto Studio, Jawa Barat Depok |
click
on main photo enlargement to go to Vera Tobing collection photogallery
- click on any thumbnails to go to further photo enlargements
|
Both Pamela and Maria are very grateful indeed for the encouragement and advice which they have received from Sandra Niessen, a leading expert on the Batak and their textiles. See an autobiography and Batak references for more information about Sandra and her publications.
| home
|
site map | bibliographies
| country | forum |
links | studies
|
what's new
| photogalleries | about
us | |
Copyright © 2012 Pamela A Cross. The contents of this site, including all images and text, are for personal, educational, non-commercial use only and may not be reproduced in any form without the express permission of Pamela A Cross. |
If
you have any comments
on the tribaltextiles.info website please send them to us. If you have
any general tribal textile comments or questions go to the tribaltextiles.info/community
forum to share your thoughts and questions with an international
community of enthusiasts. |
this
page last updated
8 May, 2020
|